A major work on the left-hand path of occultism.
The work of Michael Bertiaux stands out as unique in the modern occult world due to its postmodern stance and Spiritist nerve that introduced to the world a magic of being rooted in ontology and phenomenology being brought into domains of radical magic where the practitioner gradually realizes that he is the artist and the world is his canvas as every tube of paint and every flask of dissolvent and every brushstroke is rooted in a possibility attached to the lattices and matrixes of creation, a 64 sided diamond that pulsates in the rhythm of death and becoming at each nanosecond the world comes into being as a renewed constant possibility, where we define the magician as artist in the meeting with what is not as well as what does affirm, and drives us towards realization, knowledge and the irrational at the same time.
